India Praveen kandregula's cinema Bandi. It's just a small, charming little film. Now I'm going to begin by talking about the subtext. On the one side, you have a village where there are the usual problems associated with Indian villages, right? For example, there are no rains. There is no water supply for consistent agriculture. And on the other side, you have the fantasy world of cinema where rains are available for something as frivolous as a rain dance, where, you know, you have the dance and you have like pipes and hoses and showers that are showering rain on all these people. When there are villages that are going dry, what if these two worlds came together? That is the village with no rains and this fantasy world where everything's available. And the plot kicks off.
When an auto driver named Veerababu (Vikas Vasistha) , he gets camera a big camera, big, fancy, expensive camera left behind by somebody in his auto. He looks at it and then he decides that he's going to make a movie and we'll get to the second subtext of this film, which has made clear in a scene that plays out on television. When an announcer says that indie movies are making it big at the box office right now, because of the changing tastes of the audience. Actually, if you look at the producers of the sun, Raj and DK, they themselves are with this film entering the indie film space. And what is the idea of an indie film? It's that anybody can make a film, right? Why not? An auto-driver named Veera babu (Vikas Vasistha) and we get into a comedy drama along the lines of harish chandachi factory, which detailed the story of dada said valky's attempts to make India's first full length feature film here.
Veera babu was trying to make that village's first full length feature film. So Veera babu has to find a hero. He has to find a hero in whether they can act or not as a secondary question. he has to use an auto for tracking shots. He has to use a bullock cart for crane shots and the midst of all this comedy. There's a tinge of pathways because if he calls it Veera babu, who says he wants to people to act in this movie, those two guys says, well, if we act in this movie, then we lose our daily wages for today. This mix is handled really well by the director writers. And I think the only real problem that I had with cinema Avanti is that it does not have enough conflict. Everybody is too sweet, too nice, too pleasant. Even the person who's camera who owns the camera that these people are using to shoot the movie. That's a woman. That's an indie filmmaker as well, because she's saved up for five years in order to buy that camera, which like in a big production, it be given to them like that she has saved up for so long. And even she, after some initial tension gets along with the program and decides to help everyone. But the lack of conflict doesn't mean that the other charms aren't there, I would say that this is a pleasant little film about movie-making and it's low-key charm is its own reward. That's a for cinema Bandi. cinema bandi movie review,cinema bandi review,
