cinema bandi movie review

Cinemabandi (2021)

IMDb rating 8.1/10

Director:

Praveen Kandregula

Genres

Comedy | Drama

Details

Language

Telugu

Country of Origin

India

Praveen kandregula's cinema Bandi. It's just a small, charming little film. Now I'm going to begin by talking

about the subtext. On the one side, you have a village where there are the usual problems associated

with Indian villages, right? For example, there are no rains. There is no water supply for consistent

agriculture. And on the other side, you have the fantasy world of cinema where rains are available for

something as frivolous as a rain dance, where, you know, you have the dance and you have like pipes

and hoses and showers that are showering rain on all these people. When there are villages that are

going dry, what if these two worlds came together? That is the village with no rains and this fantasy

world where everything's available. And the plot kicks off.

When an auto driver named Veerababu (Vikas Vasistha) , he gets camera a big camera, big, fancy, expensive camera left

behind by somebody in his auto. He looks at it and then he decides that he's going to make a movie and

we'll get to the second subtext of this film, which has made clear in a scene that plays out on television.

When an announcer says that indie movies are making it big at the box office right now, because of the

changing tastes of the audience. Actually, if you look at the producers of the sun, Raj and DK, they

themselves are with this film entering the indie film space. And what is the idea of an indie film? It's that

anybody can make a film, right? Why not? An auto-driver named Veera babu (Vikas Vasistha) and we get into a comedy

drama along the lines of harish chandachi factory, which detailed the story of dada said valky's attempts to make

India's first full length feature film here.

Veera babu was trying to make that village's first full length feature film. So Veera babu has to find a

hero. He has to find a hero in whether they can act or not as a secondary question. he has to use an

auto for tracking shots. He has to use a bullock cart for crane shots and the midst of all this comedy.

There's a tinge of pathways because if he calls it Veera babu, who says he wants to people to act in this

movie, those two guys says, well, if we act in this movie, then we lose our daily wages for today. This mix

is handled really well by the director writers. And I think the only real problem that I had with cinema

Avanti is that it does not have enough conflict. Everybody is too sweet, too nice, too pleasant. Even the

person who's camera who owns the camera that these people are using to shoot the movie.

That's a woman. That's an indie filmmaker as well, because she's saved up for five years in order to buy

that camera, which like in a big production, it be given to them like that she has saved up for so long.

And even she, after some initial tension gets along with the program and decides to help everyone. But

the lack of conflict doesn't mean that the other charms aren't there, I would say that this is a pleasant

little film about movie-making and it's low-key charm is its own reward. That's a for cinema Bandi.

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nizhal movie review

Nizhal (2021)

IMDb rating 6.6/10

Director:

Appu N. Bhattathiri

Writer:

S. Sanjeev

Genres

Drama | Mystery | Thriller

Details

Language

Malayalam

Country of Origin

India

Nizhal the malayalam film directed by Appu N. Bhattathiri and starting Kunchacko Boban, Nayanthara, . Now this is a film that didn't work from his life from the first scene where we see this horrific accident and this horrific CGI bird, the first scene has this accident that makes us suggest that konjac a woman character, he's a judge, that he has a temper, but he is the sweetest person. You keep wanting to pinch his cheeks. The rest of the film is like that.

It keeps introducing new things that keeps introducing PTSD (Post Traumatic Stress Disorder) character who sees rains that nobody else sees that are supernatural elements.

There is a mask that a character batman like mask that a character who has had an accident is using, there is childhood trauma. There's a character who has had a kind of love failure in college and has never come out of it and then therefore has never gotten married and there's a whole bunch of stuff about the subconscious and all of this just does not come together convincingly.

Now the central mystery is very interesting. It's about a little boy who somehow in the middle of his class when all the other kids are writing little cute stories about cats and other things. He comes up with this elaborate murder mystery and it turns out to be a real life murder. Now, how does this little boy whose mother is played by nayanthara? How does this boy know about this murder? That's the central mystery that Kunchacko Boban goes out to solve. But the answer when it arrives is so unconvincing.

Even the lead up to the answer, which is a scene that involves nayanthara and her little son in bed. It's built up like a huge scene. There is very big music and Kunchacko Boban eyes wide and an absolute horror and he apparently sees something shocking. But we the audience don't feel that shock at all. And even the ending is kind of underwhelming because it has done through a brand new character kind of comes out of nowhere and he's not been led up to the screenplay at all. I like one scene that really worked for me where one of the murdered men.

this woman who was supposed to marry him all those years ago. There is a suggestion it's not a spoiler because the scene, like most of the scenes in this movie kind of exists on its own. She kind of suggests that this man who got murdered, he himself may be talking from beyond the grave. Which kind of I wish we had seen that film. Kunchacko Boban and Nayanthara in fine form. But Nizhal is an example. Another example that stars alone cannot make a movie.

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